http://www.rurmec.it/prodotti/fissaggi_sparo/chiodatrici.htm
http://www.rurmec.it/prodotti/fissaggi_sparo/PDF/accessori.pdf
This is Billie and This is Billie and This is Billie
I don't understand German myself. I learned it at school, but forgot every word of it two years after I had left, and have felt much better ever since.
He swore at us in German (which I should judge to be a singularly effective language for that purpose).
Tra l'altro è periodo di grande lettura e acquisto di libri in casa Billie. Sto leggendo due libri (il mio libro da treno "Three men in a boat" di Jerome Klapka Jerome e "Oh, play that thing!" di Roddy Doyle) e ne ho ordinati due su Amazon: "Rugby's strangest matches - Extraordinary but true stories from over a century of rugby" di John Griffiths e "Paddy Clarke Ha Ha Ha" di Roddy Doyle, in lingua originale, avendolo già letto in italiano.
In più mia madre è andata a trovare mia sorella a Leicester e ha svaligiato per me un WH Smith (errata corrige: era Borders), comperandomi "The Groundwater Diaries" di Tim Bradford, "A drink with Shane MacGowan" di Victoria Mary Clarke e Shane MacGowan, "My father and other working-class football heroes" di Gary Imlach e "The Rotters' Club" di Jonathan Coe (anche questo già letto in italiano - "La banda dei brocchi"). Sto a fare indigestione, ho da leggere fino al 2008.
Pogues Dec 06 gigs review
Billie Mcgowan translated from Italiano
Just while the pinta one is arranging begins the concert of the opening act, the Junkman's Choir, original of Lugton, in the Ayrshire. The first song is The Spike, and endured me vien it wants to dance. Aspect a moment, but: the time of drink the top of the pinta, in order not to turn upside down stout in churning to me. The Junkman's Choir is huge, an optimal concert. On drums troneggia Mr.Luggs, A.K.A. Stephen Feartie, to the century Stephen Wiseman. The battery is composed only from a tom, a rullante and a Moroccan drum, played with the maces. Nothing plates, nothing case. To the guitar (acoustic and electrical worker) it very makes to be worth LouGaroux (than in the study formation he is the drummer), while Johnny Gator if sbriga between the fisarmonica and the bugle. The frontman it is Davy Cinco, A.K.A. Davy Feartie, to the century Davy Wiseman, brother of Mr.Luggs, and with he former-member of the leggendario group folk-punk acoustic Scot Nyah Fearties. Davy Cinco manoeuvres with a low acoustic on which sfuriate accesss code and it touches light cakies and in inaudito way, and sings, with its rough voice, sweet and decided at the same time. One of those groups that to feel to play them you would want to become their better friend, one of the beautifulr discoveries of "gita" to Glasgow. The folk-punk triggered that it dominates their concert it leaves in some moments more space moments ska-reggae, or more tomwaitsiani, or more… insomma: a pentolone of infuences stirred. The songs are ollowed, with one Hey Joe! (not that one of Hendrix, but a piece dedicated to Joe Strummer) that it sees to me to sing "Are you going backwards or are you going forwards? Are you taking over or to are you taking orders" of clashiana and redskinsiana memory. Warmth the moment of Wide Blue Yonder ("With to song in his heart, and to rythm on his feet") that it succeeds to affect and give to me to me brividi, but the top is the last piece: Red Kola, about which task I will speak more extensively in an other occasion. All the public sings to scuarciagola "Red Kooooola! Red Kola! Red Kola! ", and the Junkman's Choir ends the concert. The theater box is mounted, it is resumed to us from the fantastic one gig, and without warning the lights are extinguished, and leave Straight To Hell of the Clash
Invece di farmi un busto ed esporlo a Murrayfield, mi impaglieranno e mi appenderanno in una taverna